I decided to make the
King Arthur pretzel rolls again today (well, half the recipe to make 4 hero-shaped buns) - they only require a first rise of 1 hour and a second of 15 minutes so I could start them at 3 pm and be eating by 5:30. I proofed the dough in this nice bowl I have that has its own lid, and I did it in the unheated oven with the oven light on (I've never done it like that before but I've seen it recommended a few places), and about 50 minutes in, there was a loud popping sound, and it turned out that the carbon dioxide produced by the rising dough popped the lid right off! That had never happened to me before! I figured if that was happening, the dough was proved and it was. They turned out delicious. Definitely recommended.
Here's today's poem:
SingeI read the tops of the poems, ten or twenty lines down.
In the beginning of the book, a man is leaving his wife
for a lover. By the end, the lover is tired of the man, who wonders
if he made a mistake. The book has the quality of a diary,
the beginnings of poems imply the ends of other poems, other days,
this is a man to know in the morning.
It's raining here, where the book lives for now, and the mood
of fog fits the sadness of the book, I hold it out the window,
bring it back and dry it off with my shirt.
I know a woman who knows the poet. I call her and ask
which tops of poems are true. She wants to know why I don't
finish the poems. I tell her I dreamed last night
I work inside a steam shovel, that the tops of the poems
are my sky, my white clouds. It's impossible to talk
to just one poet, and I'll feel the ears
of people I don't know floating behind me for a week.
There are two children in the book. They must be in college by now,
married or incapable of marriage. I believe the poet was honest
about their names, I consider finding and e-mailing them,
asking if they felt betrayed or like rock stars, some other kind
of celebrity, I suddenly want to know if they play tennis
or like Pop Tarts, if either drove up to see their father
and threw the book at his head, the stab marks on the cover
making him break down and apologize for the hurt, not the poems.
Calvino had an idea for a book that appeared to have been pulled
from a fire. What wasn't there would be as much of the story
as the little bells, the indentations of eye teeth in a pencil,
the shape of wind against a sheet. The bottom of this book
is on fire, is where the lies have fallen, where someone
tells someone they were never loved, where a body is rhapsodized
as the font of renewal, and eight pages later, deplored as snare.
I devise solace for the book: we should count birds, I tell it,
should ride a horse, you and I. Some other time I'll read
the bottom only, read this life and turn each page
with both hands, carry the words in the basket of my flesh,
carry them over, carry them safe, some other time, nor was it ever
too late.
—Bob Hicok
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