elspethdixon (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
elspethdixon) wrote2005-09-30 11:33 pm
elspethdixon) wrote2005-09-30 11:33 pm
I am a leaf on the wind...
I drove two hours tonight in order to get to a theater showing Serenity. It was worth it.
It was… shiny.
The Western elements weren't as strong as they were in the show, which was my only real qualm. That, and, of course, they didn't have the room in a film for all the character interaction and interpersonal stuff I enjoyed so much in the show.
That said, it was a suspenseful, adrenaline-rush-filled sci-fi thriller in its own right, with an ending that was as emotionally satisfying as, well, as Order of the Phoenix and Half Blood Prince weren't. There were several points where the entire theater (almost all of whom weren't fans) spontaneously applauded. For me, though, the best part of the film was the fact that it was more Firefly, with Jayne's gloriously amoral thuggery (and goofy hat!), and Mal's ability to say just the right thing when facing off with a bad guy that descends into deep inarticulateness over all things interpersonal, and Wash's dinosaurs, and Zoe's dead-pan snark and tight leather vest, and Simon's single-minded determination, and River's eerie, barefoot grace.
One of Joss Whedon's most over-looked skills as a director is his ability to use silence in a way that can be more moving and evocative than sound, and he does that to great effect in Serenity. Particularly after several of the action sequences, when it evokes that hollow, stunned feeling that comes with adrenaline let down. Several of the film's more suspenseful sequences have no background music at all, and the "dead air" effect is almost claustrophobic.
Oh, wait, I do have one other qualm besides the lessening of the "Western"-ness. Personally, I think that the plot twist involving the Reavers, cool and clever as it was, made them less viscerally creepy than they were in the show. They're still way creepier than anything in Revenge of the Sith, though.
It was… shiny.
The Western elements weren't as strong as they were in the show, which was my only real qualm. That, and, of course, they didn't have the room in a film for all the character interaction and interpersonal stuff I enjoyed so much in the show.
That said, it was a suspenseful, adrenaline-rush-filled sci-fi thriller in its own right, with an ending that was as emotionally satisfying as, well, as Order of the Phoenix and Half Blood Prince weren't. There were several points where the entire theater (almost all of whom weren't fans) spontaneously applauded. For me, though, the best part of the film was the fact that it was more Firefly, with Jayne's gloriously amoral thuggery (and goofy hat!), and Mal's ability to say just the right thing when facing off with a bad guy that descends into deep inarticulateness over all things interpersonal, and Wash's dinosaurs, and Zoe's dead-pan snark and tight leather vest, and Simon's single-minded determination, and River's eerie, barefoot grace.
One of Joss Whedon's most over-looked skills as a director is his ability to use silence in a way that can be more moving and evocative than sound, and he does that to great effect in Serenity. Particularly after several of the action sequences, when it evokes that hollow, stunned feeling that comes with adrenaline let down. Several of the film's more suspenseful sequences have no background music at all, and the "dead air" effect is almost claustrophobic.
Oh, wait, I do have one other qualm besides the lessening of the "Western"-ness. Personally, I think that the plot twist involving the Reavers, cool and clever as it was, made them less viscerally creepy than they were in the show. They're still way creepier than anything in Revenge of the Sith, though.